Angles and Framing

Angles


Birds Eye View (BEV)

DESCRIPTION:
A shot taken from directly above, looking down on to the action or a point of interest.
PURPOSE:
unusual elevated perspective makes it distinctive and stand out as well as, often highlights the position
.

‘Avatar’, 2009, J. Cameron

Worms Eye View (WEV)

DESCRIPTION:
A shot taken from directly below, looking up on the action or a point of interest.
PURPOSE:
powerlessness, humble perspective, can emphasize height 

‘Harry Potter and the Chamber of Secrets’, 2002, C. Columbus

High Angle (HA)

DESCRIPTION:
A shot taken from diagonally above the action or a point of interest, looking down
PURPOSE:
intimidation, viewer has the power, subject looks weak

‘Psycho’, 1960, A. Hitchcock

Long Angle (LA)

DESCRIPTION:
A shot taken from diagonally below the action or a point of interest, looking up
PURPOSE:
subject is dominant and has the power

‘Deadpool’, 2016, T. Miller

Canted/Dutch Angle (CA/DA)

DESCRIPTION:
An unbalanced shot, where the physical camera itself is placed at an unorthodox angle. 
PURPOSE:
intensity, makes you feel like something is not right, chaotic and disorientating

‘Rope’, 1948, A. Hitchcock

Wide Angle (WA)

DESCRIPTION:
A shot taken from distance in order to frame more than two subjects at the same time.
PURPOSE:
to show a group of subjects and their relationship to each other

‘Suicide Squad’, 2016, D. Ayer

Two Shot (TS)

DESCRIPTION:
A shot taken at eye-level that frames two subjects at the same place in the same time, often having conversation.
PURPOSE:
two people relationship, dialogue

‘Pulp Fiction’, 1994, Q. Tarantino

Over The Shoulder (OTS)

DESCRIPTION:
A shot taken from behind a subjects shoulder, engaging in a conversation with another.
PURPOSE:
conversation, interaction, addresses the viewer, makes them feel like they are a part of the conversation

‘Alice in Wonderland’, 2010, T. Burton

Point of View (POV)

DESCRIPTION:
A shot taken from a subjects line of sight, allowing the audience to see what the subject sees.
PURPOSE:
​sense of realism, empathise the viewer with the character

‘Inglorious Basterds’, 2009, Q. Tarantino

Establishing shot (ES)

DESCRIPTION:
A shot taken from a extreme distance, always occurring at the start of the scene.
PURPOSE:
​to place the viewer in a specific setting

‘The Shining’, 1980, S. Kubrick

Framing


Extreme Long Shot (ELS)

DESCRIPTION:
The camera focus is on the surroundings or location, no subject or the subject is far away.
PURPOSE:
​to establish the scale of the scene/event, to draw attention to the surroundings

‘The Hobbit: An Unexpected Journey’, 2012, P. Jackson

Long Shot (LS)

DESCRIPTION:
The camera focus is on the subjects whole body, with the subject framed head to toe.
PURPOSE:
​focusing on movement, costume or pose

‘Pirates of the Caribbean: Dead Man’s Chest’, 2006, G. Verbinski

Medium Long Shot (MLS)

DESCRIPTION:
The camera focus is on the subjects body, with the subject framed from knees up.
PURPOSE:
​focuses on the body language as well as on the costume

‘Deadpool’, 2016, T. Miller

Mid Shot (MS)

DESCRIPTION:
The camera focus is on the subjects whole torso, with the subject framed head to waste.
PURPOSE:
​what you’re trying to sell (addverts), body language, speech, engage with the mood of the subject

‘Edward Scissorhands’, 1990, T. Burton

Medium Close-up (MCU)

DESCRIPTION:
The camera focus is on the subjects upper torso, with the subject framed head to chest.
PURPOSE:
facial expression, posture

‘The Dark Knight’, 2008, C. Nolan

Close-up (CU)

DESCRIPTION:
The camera focus is on the subjects profile, with the subject framed head to shoulder.
PURPOSE:
facial expression, emotions

‘The Shining’, 1980, S. Kubrick

Big Close-up (BCU)

DESCRIPTION:
​The camera focus is on the subjects facial expression, with the subject framed eyes to mouth.
PURPOSE:
feelings, emotions, reaction to something, intensity

Pirates of the Caribbean: At World’s End‘, 2007, G. Verbinski

Extreme Close-up (ECU)

DESCRIPTION:
The camera focus is on the subjects facial elements, with specific features framed (finger on a trigger, key in the hole, tear in the eye).
PURPOSE:
​draw attention to one single element, may be an emotion (tears, smile)

‘Psycho’, 1960, A. Hitchcock

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